Thursday, November 23, 2006


This is the bibliography for Acts of Commmunion: The Performance, The Installation, and The Writing. Where citations are used in the rest of the blog and reflexive journals I list the source and date.

APOLLINAIRE, G., 1972, Zone with an English translation by Samuel Beckett. (s.n.): (s.i)

ARTAUD, A., 1938. The Theater and its Double. (s.n.).(s.i)

BARTHES, R., 1977, Image, Music, Text. London: Fontana Press

BARTHES, R., 1957, Mythologies. New York, Hill and Wang

BAUDRILLARD, J., 2004, Fragments, London: Routledge

BECKETT, S., 1965, Waiting for Godot: a tragicomedy in two acts. (s.n.): (s.i)

BECKETT, S., 1971, Breath and other shorts. (s.n.): (s.i)

BERGER, J., 1965, Success and Failure of Picasso. Middlesex: Penguin

BLAZEVIC, M. and GOULISH, M. ed., 2005, Frakcija No. 35 Spring 2005. Croatia: Bauer

BOAL, A., 2000, Theater of the Oppressed. New Edition. London: Pluto Press

BOCK, V. and VINCENZI, S., 2004, Invisible Dances… From Afar: A show that will never be shown, London: Artsadmin

BROOK, P., 1968, The Empty Space. Middlesex: Penguin

CANETTI, E, 1962, Masse und Macht. London : Gollancz

COPPARD, H and MEADE, C., 1988, The Wedding: exhibition catalogue. (s.n.): (s.i)

CURTIS, R., 1995, Four Weddings and a Funeral. (s.n.): BCA

DARLEY, A., 2000, Visual Digital Culture: Surface Play and Spectacel in New Media Genres, 2000. London: Routledge

DE OLIVEIRA, N., OXLEY and N., PETRY, M. ed., 1996, Installation Art, London: Thames and Hudson

DE OLIVEIRA, N., OXLEY and N., PETRY, M. ed. 2003, installation art in the new millennium: the empire of the senses. London: Thames and Hudson

DEBORD, G., 2002, The Society of the Spectacle, New York: Zone

DERRIDA, J., 2005, Writing and Difference, New York: Routledge

ESSLIN, M., 2000, Antonin Artaud. (s.n.): (s.i)

ESSLIN, M., 1984, Theatre of the Absurd. London: Penguin

ETCHELLS, T., 1999, Certain Fragments. London: Routledge.

FOUCAULT, M., 2006. The Order of Things, New York: Routledge

GABLIK, S., 1995, Conversations before the End of Time. London: Thames and Hudson

GOAT ISLAND, 2000, School Book 2, (s.n.): (s.i)

GOLDBERG, R.,1998, Performance, London: Thames and Hudson

GRAY, C. and MALLINS, J., 2004, Visualizing research :a guide to the research process in art and design. (s.n.): (s.i)

GROSSVOGEL, D, I.,1975, Four Playwrights and a Postscript. 2nd Ed. (s.n.): (s.i)

HARRISON, C. and WOOD, P. ed. 1992, Art in Theory 1900 – 1990. Oxford: Blackwell

HEATHFIELD, A. ed., 2000, Small Acts: Performance, the Millennium and the Marking of Time, London: Black Dog Publishing

HEATHFIELD, A. ed., 2004, Live: Art and Performance, London: Tate Publishing

JONES, C. A., 1993, A History of Nottingham School of Design. Nottingham: NTU

KAYE. N., 1994, Post-modernism and Performance. London: MacMillan Press

LACAN, J., 1988, Freud's papers on technique 1953-1954. Cambridge: Cambridge University Press

LACAN, J., 1988, The ego in Freud's theory and in the technique of psychoanalysis 1954-1955. Cambridge: Cambridge University Press

LAING, R. D., 1999, Self and others. 2nd Ed. (s.n.): (s.i)

LAING, R. D.,1999, The divided self :an existential study in sanity and madness. 2nd Ed. (s.n.): (s.i)

LECOQ, J., 2002, The Moving Body, London: Methuen

NEWLING, J., 2004, Stamping Uncertainty. (s.n): SWPA

ODDEY, A.,1994, Devising Theatre, London: Routledge

PEREC, G., 1999 2nd ed., Species of Spaces and Other Pieces, London: Penguin

SAVRAN, D.,1986, Breaking the Rules, Michigan: UMI

SCHECHNER, R., 2002, Performance Studies, London: Routledge

SCHECHNER, R., 2005, Performance Theory, New York: Routledge

SMITH, J., 2005, Jacques Derrida: Live Theory, New York: Continuum

SONTAG, S., 1977, Illness as Metaphor, London: Penguin

WILLET, J. and MANHEIM, R., ed., 1970, Bertolt Brecht collected plays Vol 1. (s.n.): (s.i)


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